Chhaava (2025) is a historical drama directed by Laxman Utekar, chronicling the life of Chhatrapati Sambhaji Maharaj, the valiant son of Chhatrapati Shivaji Maharaj. Set between 1681 and 1689, the film delves into the turbulent period following Shivaji’s demise, highlighting Sambhaji’s ascension to the throne and his relentless struggle against the Mughal Emperor Aurangzeb’s expansive ambitions.

The narrative commences with the Maratha Empire in disarray after Shivaji’s death. Sambhaji (Vicky Kaushal) steps into leadership, confronting internal conspiracies and external threats. His audacious attack on the Mughal stronghold of Burhanpur signifies a direct challenge to Aurangzeb (Akshaye Khanna), igniting a fierce conflict between the Marathas and Mughals. The film portrays Sambhaji’s strategic prowess, employing guerrilla tactics to counter the numerically superior Mughal forces, and his unwavering commitment to Swaraj (self-governance).

Amidst the warfare, “Chhaava” explores courtly intrigues, including betrayals within the Maratha ranks and diplomatic maneuvers involving Aurangzeb’s rebellious son, Mirza Akbar. The personal dimensions of Sambhaji’s life are also depicted, particularly his relationship with his wife, Yesubai (Rashmika Mandanna), offering a glimpse into his human side beyond the battlefield.

The climax intensifies as Sambhaji is betrayed, captured, and subjected to brutal torture by Aurangzeb, yet he remains defiant, embodying the indomitable spirit of resistance. His martyrdom becomes a catalyst, inspiring continued Maratha opposition, which eventually contributes to the decline of the Mughal Empire and the realization of Swaraj.

Vicky Kaushal delivers a compelling performance as Sambhaji, capturing the warrior’s valor and vulnerability. Akshaye Khanna’s portrayal of Aurangzeb is marked by a menacing subtlety, while Rashmika Mandanna brings depth to Yesubai, despite limited screen time. The film’s production design authentically recreates the 17th-century Deccan landscape, complemented by Saurabh Goswami’s evocative cinematography. A. R. Rahman’s musical score, featuring tracks like “Aaya Re Toofan,” enhances the narrative’s emotional resonance, though some critics note a contemporary feel to certain songs.

While “Chhaava” has been lauded for its action sequences and performances, particularly Kaushal’s, some critiques point to a formulaic storytelling approach and a lack of character depth. Nonetheless, the film succeeds in shedding light on a pivotal yet underrepresented chapter of Indian history, celebrating the legacy of a warrior who stood steadfast against oppression in pursuit of his father’s vision for an independent Maratha kingdom.